Bridging Cultures through Craft: my passion for Italian stone carving tradition and Whitby Jet

Black Calla brooch in hand-carved Whitby Jet and 18ct gold. Winner GC&DC Silver Award 2025
As an Italian artist living in the UK, I’ve found a unique way to connect my cultural heritage with British tradition—through the art of carving Whitby jet. This semi-precious gemstone, deeply rooted in British history, has become my canvas for storytelling, self-expression, and cultural fusion. It’s a journey that intertwines the ancient Italian legacy of carving with the rugged beauty of the Yorkshire coastline.
Whitby jet is a fossilized wood formed from the ancient Araucaria tree, which thrived over 180 million years ago during the Jurassic period. Found along the cliffs of Whitby in North Yorkshire, this glossy black gemstone holds a special place in British history. Its popularity peaked during the Victorian era, when jet mourning jewelry became a symbol of elegance and sentimentality. Queen Victoria herself wore jet jewelry, immortalizing its place in British culture.
For me, working with Whitby jet is like holding a piece of history in my hands. Its smooth texture and rich, dark hue invite creativity while demanding respect for its fragility and unique origins. Each piece I carve feels like a collaboration with nature and the past.
The ancient Italian Art of Carving
Carving is a craft deeply ingrained in Italian culture, with roots stretching back to antiquity. From the intricate cameos of Torre del Greco to the grand sculptures of Michelangelo, the Italian tradition of working with stone, shell, and wood is an art form that has been passed down through generations. Growing up in Italy, I was surrounded by this legacy. Visits to churches adorned with marble statues and workshops where artisans shaped raw materials into objects of beauty left an indelible mark on me.
In Italy, carving is more than a skill; it’s a celebration of life and storytelling. Each stroke of the tools carries intention, emotion, and a connection to something greater—whether it’s the divine, the natural world, or human experience. And this philosophy continues to inspire my approach to working with Whitby jet.
There is something deeply meditative about carving. The act of shaping jet, a material so ancient and organic, feels like a dialogue between myself and the stone. It’s a process that requires patience, precision, and a deep understanding of the material’s unique properties. Yet, it’s also incredibly rewarding.
In every piece I carve, there is a part of Italy and a part of the UK—a testament to the enduring power of art to connect, inspire, and transform. And as I continue this journey, I’m reminded that every chisel mark, every polished surface, is a tribute to the cultures and landscapes that have shaped my life.



